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Bach. English Suites
€18.18
Bach’s English Suites are entitled in a way that is as strange as it is hard to explain, at least at first glance. Contrary to what one might assume, these works are more closely related to French suites than to English music. The title is taken from the inscription “Fait pour les Anglois”, found on a manuscript owned by Bach's youngest son. In addition to an extensive prelude and four traditional dances – Allemande, Courante, Sarabande and Gigue – each suite also contains “gallantries”, lighter dances that were fashionable at the time. In these dance movements, grace and melody play together with a compositional artistry that elevates them far beyond incidental music for courtly dances.
After the Partitas published by Passacaille in 2021 (PAS 1105), Lorenzo Ghielmi, one of the most renowned Bach interpreters of our day, now releases the English Suites, recorded on a harpsichord built by Detmar Hungelbert after an instrument by Michael Mietke (ca. 1710 in Berlin).
L'Arte della Scordatura
With this CD, violinist Mayumi Hirasaki, who has been Concerto Köln’s concertmaster since 2011, explores the chameleon-like possibilities of her instrument: when playing with scordatura, instead of the usual fifths interval between the violin strings, an alternative is used in which at least one string is tuned to a different pitch. This results in completely new sonic and harmonic...
€14.05
Bach Partitas BWV 825-830
The Partitas are the first work for harpsichord published by Johann Sebastian Bach. Between 1726 and 1730, the partitas were published separately, one per year, before being brought together in a single collection in 1731. Shortly after his appointment of Cantor of the Leipzig Thomaskirche, Bach decided to devote his Opus I to a fashionable genre: the harpsichord suite, a series of dances of...
€18.18
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Bach Partitas BWV 825-830
The Partitas are the first work for harpsichord published by Johann Sebastian Bach. Between 1726 and 1730, the partitas were published separately, one per year, before being brought together in a single collection in 1731. Shortly after his appointment of Cantor of the Leipzig Thomaskirche, Bach decided to devote his Opus I to a fashionable genre: the harpsichord suite, a series of dances of...
Claviorganum. Handel Concertos & Sonatas
As the name suggests, a claviorganum is a keyboard instrument with a harpsichord and an organ section, which can be played individually or together on one or two manuals. While this instrument may seem like a curiosity today, many sources confirm that "curiosities" were rather the norm on the European continent from the 15th to the 17th century. There was a variety of different keyboard...
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The Art of Resonance
At the beginning of the 17th century, music in Italy underwent a radical change. From the first experimental attempts in Florence to revive the musical practice of Greek antiquity, which had not been handed down in detail, the genre of the monody developed, in which the singer could finally express all the nuances of the text (the "affects"), freed from the strict constraints of polyphony. To...
Adonia
Through centuries of re-telling the myth of Venus and Adonis, the ritualistic Adonia festival held in ancient Athens has remained a part of the story which fascinated a number of literary figures during the Italian Renaissance. The ritual was both a lamentation of love cruelly stolen by the hands of fate, and a feverish “final dance” with all of life's short-lived pleasures and desires. The...
Leuven Chansonnier vol. 2 Ou beau Chastel
The Leuven Chansonnier (1470–75) includes not only fifty compositions by such leading 15th century Franco-Flemish names as Johannes Ockeghem, Antoine Busnoys and Firminus Caron but also twelve newly rediscovered works that exist in no other source. The Ensemble Sollazzo here brings a selection of this music to life in an interpretation that is both brilliant and refreshing.
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Préludes. Interludes. Postludes
In this recording, Jan Michiels transports us back to the Parisian salons of the 19th century. These were not only an ideal environment for Chopin – his Préludes op. 28 are a recurring thread throughout this album – but also for Debussy, whose Préludes are closely correlated with those of Chopin. Michiels opens his salon to various visitors: first Alfred Cortot, whose Chopin interpretations...
Neshima CD
NESHIMA is Orí Harmelin’s exciting debut solo lute and theorbo album. Orí explores a new realm of possibilities for personal creation as a modern musician using the musical language of the late 16th and early 17th centuries. The album contains Orí’s arrangements of Madrigals, Motets and Chansons by Cipriano de Rore, Josquin des Prez and Thomas Tallis, alongside his own compositions of variation...
Aquila Altera. Renaissance Keyboards
With this recording, Federica Bianchi explores the development of music for keyboard instruments from the beginning of the 15th century to the dawn of the Baroque period. The earliest works originate from the famous Codex Faenza (c. 1400-1420), a manuscript of secular songs arranged for keyboard instrument by composers such as Jacopo da Bologna and Guillaume de Machaut. The earliest printed...
CPE Bach. Die Auferstehung und Himmelfahrt Jesu
Radical, daring and extremely refined: that’s how C. P. E. Bach saw his new path for the Oratorio, after his father’s Passions had marked the climax of the baroque era. Encouraged by his godfather Telemann and liberated from the yoke of the capricious Frederick of Prussia, he found himself in Hamburg with an audience hungry for new music. And he brought them his oratorios, no longer in churches...
Vivaldi. Concerti Particolari
Vivaldi’s Concerti Ripieni are probably the most unusual works written by the Venetian composer. Some of these pieces, however, are particularly exceptional for various reasons, especially considering the artistic environment in early 18th century Venice. This recording presents Vivaldi’s most brilliant and at the same time bizarre works from this genre. These compositional experiments are...
Nonetto
In 1959, two composers wrote nonets: Nino Rota’s melodic Nonetto, on which he would continue to work for almost 20 years, and Bohuslav Martinů’s farewell chamber music piece, a nonet, which he composed as a last piece to satisfy his longing for his homeland. Eisler did not compose his nonet in his native country either, but arrived in Mexico in 1941 as a refugee from the Nazis. There he wrote...
Johan Huys. Ceci n'est pas une passacaille
Flemish composer Johan Huys is equally proficient on all keyboard instruments, but he is best known as a harpsichordist. He was president of the competition at the MA Festival Bruges for 39 years. For this world-famous competition, which is inextricably linked to him, he composed several pieces for harpsichord, including the compulsory work for the 2018 harpsichord competition: Ceci n’est pas...
Stagioni d'Amore. Madrigali by Marini, Rovetta &...
From the budding blossoms of first love and the heat of passion, to when feelings subside and fade away, “the seasons of love” are the overarching theme of this programme of madrigali concertati by three notable members of the Venetian school: Biagio Marini, Giovanni Rovetta and Giovanni Valentini. The madrigals on this recording exemplify the new musical aesthetic of affetti and the seasons of...
Schubert. The Small Song Cycles
In addition to his famous large-scale song cycles, Schubert also composed and published numerous smaller song compilations. Some of these “miniature cycles” consist of songs written at different times and under different circumstances, but which Schubert himself assembled on the basis of thematic and textual connections. The selected cycles appeared in print during Schubert’s publishing career...
Contrafacta. Pergolesi-Iribarren. Stabat Mater-Motets
Pergolesi’s Stabat Mater was extremely popular throughout Europe soon after it was composed in 1736. Countless printed and handwritten versions of this work, which was considered the stylistic ideal of sacred music in the 18th century, can be found in libraries all over the world. There are five manuscript copies of the Stabat Mater in the archives of Málaga Cathedral. This recording presents a...
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Johannes Tourout
Tonrroutt, Thauranth, Tauront, Taurath, Torenth... few composers have had their names mangled by scribes so badly as the protagonist of this recording. The identity of the composer behind these variants has long remained shrouded in mystery. It is known that a certain Johannes Tourout was cantor in the chapel of Emperor Frederick III of Habsburg. The composer must have been very popular in...