Péches d'opéra | Rossini, Salons & Horn Virtuosi

€14.05
Quantity

ALESSANDRO DENABIAN french horn, LUCIA CIRILLO mezzo-soprano, FRANCESCA BACCHETTA fortepiano (Mathias Jakesch, Vienna, c. 1823). They perform wroks by Gioachino Rossini (1792-1868), Giovanni Puzzi (1791-1876) & Paolo Bonfichi (1769-1840), Antoine Clapisson (1779-1857), Gaetano Donizetti (1797-1848), Saverio Mercadante (1795-1870), Frédéric Nicolas Duvernoy (1765-1838), Agostino Belloli (1778-1839), Giovanni Puzzi & Giovanni Paisiello (1740-1816).

After a very successful lifetime, albeit marked by long years of physical and psychological suffering, Gioachino Rossini (1792-1868) chose Passy, on the outskirts of Paris, as the place to spend the final years of his life. Here Rossini recovered his health and began composing again after years of inactivity. During these years, in addition to the wonderful Petite Messe solennelle, he wrote numerous pieces for piano, voice, and small ensembles. Many of these pieces, which often have ironic titles, were created to be performed during the musical evenings held by Rossini in his villa in Passy with his wife Olympe, attended by prominent figures of society and the best artists from Paris. Rossini himself called these compositions, Pachas de vieillesse (Sins of old age). One of the major works of horn literature is included among these Péchés: the Prélude, Thème et Variations pour cor, avec accompagnement de piano, composed in 1857 for the eclectic horn player Eugène Vivier (1817-1900), with whom Rossini had developed a convivial relationship.

16 other products in the same category:

Schubert. The Small Song Cycles

In addition to his famous large-scale song cycles, Schubert also composed and published numerous smaller song compilations. Some of these “miniature cycles” consist of songs written at different times and under different circumstances, but which Schubert himself assembled on the basis of thematic and textual connections. The selected cycles appeared in print during Schubert’s publishing career...

Add to cart
Quick view More info

Johan Huys. Ceci n'est pas une passacaille

Flemish composer Johan Huys is equally proficient on all keyboard instruments, but he is best known as a harpsichordist. He was president of the competition at the MA Festival Bruges for 39 years. For this world-famous competition, which is inextricably linked to him, he composed several pieces for harpsichord, including the compulsory work for the 2018 harpsichord competition: Ceci n’est pas...

Add to cart
Quick view More info

Hymnos. Benjamin Britten: Canticles and Purcell...

Without doubt, Benjamin Britten (1913-76) left an indelible impression on every genre of 20th century English music. However, it is his smaller scale vocal repertoire that is particularly fascinating. Featuring three of Britten’s “Canticles” as well as a selection of his best realizations (or “arrangements,” if you will) of songs by Henry Purcell (1659-95), this recording represents the mature...

Add to cart
Quick view More info
  • New

Préludes. Interludes. Postludes

In this recording, Jan Michiels transports us back to the Parisian salons of the 19th century. These were not only an ideal environment for Chopin – his Préludes op. 28 are a recurring thread throughout this album – but also for Debussy, whose Préludes are closely correlated with those of Chopin. Michiels opens his salon to various visitors: first Alfred Cortot, whose Chopin interpretations...

Add to cart
Quick view More info

Neshima CD

NESHIMA is Orí Harmelin’s exciting debut solo lute and theorbo album. Orí explores a new realm of possibilities for personal creation as a modern musician using the musical language of the late 16th and early 17th centuries. The album contains Orí’s arrangements of Madrigals, Motets and Chansons by Cipriano de Rore, Josquin des Prez and Thomas Tallis, alongside his own compositions of variation...

Add to cart
Quick view More info
  • New

Schubert. Complete works for violin & pianoforte

Franz Schubert (1797-1827) was an extremely prolific composer, but his entire output for violin and piano fits on two CDs. His bold use of tonalities is already evident in the early works from 1816 and 1817, which clearly reflect his admiration for Mozart. The first three are labelled "Sonatina", possibly intended to appeal to amateur musicians. However, they are highly complex works by the...

Add to cart
Quick view More info

Ysaÿe. Six sonates

When Eugène Ysaÿe composed his cycle of 6 sonatas op. 27 for solo violin in June 1923, gut strings were still very common and highly appreciated - statements by contemporary violinists such as Mischa Elman, Toscha Seidel and Jacques Thibaud confirm this. However, neither the dedicatees of Eugène Ysaÿe’s solo sonatas nor other contemporaries made recordings of these works. Martin Reimann has now...

Add to cart
Quick view More info

Al compás de la vihuela

Alejo de los Reyes had his first experience of playing the guitar in Argentina with his parents, who were classical guitar players and teachers. In his parents’ home, Argentine folk music was part of every celebration and every gathering, and the tango was his grandfather’s favourite music. During his studies, De los Reyes played alternately in classical concert halls and tango salons. After...

Add to cart
Quick view More info