When Eugène Ysaÿe composed his cycle of 6 sonatas op. 27 for solo violin in June 1923, gut strings were still very common and highly appreciated - statements by contemporary violinists such as Mischa Elman, Toscha Seidel and Jacques Thibaud confirm this. However, neither the dedicatees of Eugène Ysaÿe’s solo sonatas nor other contemporaries made recordings of these works. Martin Reimann has now performed them on gut strings, and the special charm of his recording is that it gives these wonderful works a sonority that is likely to correspond to the aesthetic ideas of their time of creation.
During the four years between 1750 and 1753, Carl Philipp Emanuel Bach composed three concertos for the violoncello with strings and basso continuo. The A minor concerto (Wq.170/H.432) and the B- flat major concerto (Wq.171/H.436), were written in Berlin in 1750 and 1751, respectively, while the A major concerto (Wq.172/H.439) is dated 1753 in Potsdam
Passacaille Records and cellist Elinor Frey, with harpsichordist Federica Bianchi, lutenist Giangiacomo Pinard, and cellist Mauro Valli, present the first recording of cello sonatas by Giuseppe Clemente Dall’Abaco (1710-1805). Dall’Abaco’s sonatas are full of cantabile melodies with the lightness of folk songs, passagework that demands brilliance and facility, and extraordinary slow movements...
The Orquesta Barroca de Sevilla, in collaboration with several universities, researches valuable repertoire linked to the history of Andalusia. This Proyecto Atalaya has already produced a series of CDs with unknown jewels, which have been released on Passacaille. On this new album called Astro Nuevo we can rediscover works by Pedro Rabassa (1683-1767). As a faithful musical partner of the...
