Works by Girolamo Kapsberger | Biagio Marini | Aurelio Virgiliano | Bartolomeo de Selma e Salaverde | Giovanni Battista Fontana | Marco Uccellini | Francesco Rognoni Taegio | Giovanni Antonio Pandolfi Mealli | Bartolomeo Montalbano | Alessandro Stradella
Small size, four gut strings, a short bow were at beginning the ingredients of the magic. Such magic happened in Italy, the cradle of the violin, during the seventeenth century. “Seicento!” is therefore a multifaceted time-travel through the Early Baroque, from Venice to Sicily, exploring the wonders of the first violin virtuosos and their dexterous-passionated playing. A collection of music born looking at Caravaggio, Bernini and Borromini’s masterworks.
Johann Sebastian Bach’s Sei Solo for unaccompanied violin figure amongst the baroque works on which the performance traditions of the 19th and 20th centuries weigh most heavily. Rediscovered halfway through the 19th century after having been forgotten for more than a century, these works quickly entered the repertoire of works performed by violinists during the Romantic period: from that moment...
The musical styles of Europe always arrive a bit later in Spain, but with the avantage that they are transformed to full maturity. This cd shows a unique version of how a symphony by Haydn was transformed for a performance in the Cahedral of Sevilla. But the real interest are the till yet unrecorded masterpieces by Antonio Ripa and Joseph Barrera. As always Enrico Onofri ensures a top...
When Eugène Ysaÿe composed his cycle of 6 sonatas op. 27 for solo violin in June 1923, gut strings were still very common and highly appreciated - statements by contemporary violinists such as Mischa Elman, Toscha Seidel and Jacques Thibaud confirm this. However, neither the dedicatees of Eugène Ysaÿe’s solo sonatas nor other contemporaries made recordings of these works. Martin Reimann has now...
During the four years between 1750 and 1753, Carl Philipp Emanuel Bach composed three concertos for the violoncello with strings and basso continuo. The A minor concerto (Wq.170/H.432) and the B- flat major concerto (Wq.171/H.436), were written in Berlin in 1750 and 1751, respectively, while the A major concerto (Wq.172/H.439) is dated 1753 in Potsdam
Dominik Wörner (bass-baritone) and the Kirchheimer DübenConsort he founded focus in this recording on twelve pieces from the famous Düben collection and document in an exemplary way the enormous versatility of this unique collection, which was only discovered by chance in the 19th century. Ten composers from Schütz (his Nunc dimittis can be heard in an arrangement by Gustav Düben) to...
During the height of its popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and...
Works by Girolamo Kapsberger | Biagio Marini | Aurelio Virgiliano | Bartolomeo de Selma e Salaverde | Giovanni Battista Fontana | Marco Uccellini | Francesco Rognoni Taegio | Giovanni Antonio Pandolfi Mealli | Bartolomeo Montalbano | Alessandro Stradella
