World Premiere recording of the Six Sonatas for harpsichord with violin accompaniment of Cirri. Ignazio Cirri was maestro di cappella from 1759 at the Cathedral of Santa Croce, now the Duomo in Forlì. In that same year he was granted entrance to the Philharmonic Academy in Bologna. It is not certain whether his teachers included Giovanni Battista Martini who was only five years older. It is...
The Orquesta Barroca de Sevilla, in collaboration with several universities, researches valuable repertoire linked to the history of Andalusia. This Proyecto Atalaya has already produced a series of CDs with unknown jewels, which have been released on Passacaille. On this new album called Astro Nuevo we can rediscover works by Pedro Rabassa (1683-1767). As a faithful musical partner of the...
This recording presents 5 violin sonatas by Vivaldi that Pisendel took with him to Dresden after his stay in Venice. We know that Vivaldi wrote these extremely virtuoso sonatas for himself around 1710. The recording also presents a world première recording of a chamber concerto for violin and t movements for violin and basso continuo with cello concertato (RV 252 and RV 7a) which are also world...
Symphonies of Bach’s Sons by the Controcorrente Orchestra: a new dynamic Italian Baroque Orchestra makes its debut with not mainstream symphonies! As the name indicates, they choose to swim against the current and explore hidden gems of the repertoire. But not only are they original, young, and full of dynamic energy, but the result is also simply stunningly good and makes this music come alive...
During the height of its popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and...
The Partitas are the first work for harpsichord published by Johann Sebastian Bach. Between 1726 and 1730, the partitas were published separately, one per year, before being brought together in a single collection in 1731. Shortly after his appointment of Cantor of the Leipzig Thomaskirche, Bach decided to devote his Opus I to a fashionable genre: the harpsichord suite, a series of dances of...
Giuseppe Porsile (1680-1750) was born in Napels, worked in Barcelona and moved on to Vienna where he worked at the imperial court till 1750. Beside opera's Oratoria, Masses and instrumental works he wrote a considerable number of beautiful chamber cantatas. This Cd presents some of the most beautiful examples of his work. This is the third production of Inês d'Avena for Passacaille in which she...