Arde El Furor - Orquesta Barroca de Sevilla - Maria...
Orquesta Barroca de Sevilla, Diego Fasolis, Maria Espada, José Hernàndez Pastor with Andalusian Baroque Cantatas from Iribarren and Torrens.
Georg Philipp Telemann : Trios for oboe, bass and treble viol and harpsichord, performed by Paul Dombrecht, Wieland Kuijken and Robert Kohnen
Just like most German composers of his time, Telemann was very well acquainted with the stylistic developments in the other European countries, Italy and France in particular, and in his own compositions he assimilated the various national styles: the Lully Ouverture, the stylized French dances and the Italian trio sonata and concerto. Telemann’s contribution to these forms and genres was fruitful, of a high technic level and highly inventive level. The Telemann catalogue contains a mass of chamber music works. His oeuvre is so diverse, partly because he was always engaged in all kinds of activities. he wrote music for the church, for the court, for the city and for the opera, in all existing genres. The trios with concertante Harpsichord on this recording come from his collection of 'Essercizi Musici. Beside Robert Kohnen on the solo harpsichord, the second harpsichord that performs the basso continuo is played by Michèle Devérité, and the viola da Gamba that playes the basso continuo whilst Wieland Kuijken is performing his solos is Kaori Uemura. The star of the recording is of course also Paul Dombrecht, one of the undisputed pioneers of the baroque oboe performance practice.
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Orquesta Barroca de Sevilla, Diego Fasolis, Maria Espada, José Hernàndez Pastor with Andalusian Baroque Cantatas from Iribarren and Torrens.
The Italian Renaissance is the golden age of the lute. In quality and quantity, the lute pieces from this period are comparable to the piano works of the 19th century. Most of the works selected for this recording are by Francesco da Milano, an extraordinary virtuoso and gifted composer who was also known as "Il Divino" (the Divine), an epithet he shared with Michelangelo and Monteverdi. In...
Artist(s):Il Fondamento Paul Dombrecht Composer:J.S. Bach
Artist(s):Alice Foccroulle, soprano and Ensemble Inalto/ dir. Lambert Colson Composer:Schütz,Pohle, Theile, Weckmann, Bernhard, Schop
The prodigious flowering of musical culture in the Imperial Court of Vienna in the seventeenth and eighteenth centuries is undoubtedly a phenomenon unique in the history of the city: four successive emperors were themselves in their leisure time active musicians, and also enjoyed an excellent reputation as composers! This Cd shows us their musical world, with music both by the emperors and by...
Tonrroutt, Thauranth, Tauront, Taurath, Torenth... few composers have had their names mangled by scribes so badly as the protagonist of this recording. The identity of the composer behind these variants has long remained shrouded in mystery. It is known that a certain Johannes Tourout was cantor in the chapel of Emperor Frederick III of Habsburg. The composer must have been very popular in...
Artist(s):La Divina Armonia, dir.Lorenzo Ghielmi - world premiere recording Composer:Francesco Feo
Artist(s):Enrico Onofri- Ensemble Imaginarium Composer:Tartini, Veracini, Mossi, Bonporti
Artist(s):Il Fondamento and Paul Dombrecht (solo) Composer:G. Ph. Telemann
Artist(s):Lorenzo Ghielmi, Margret Köll, Luca Pianca & La Divina Armonia Composer:Georg Frederic Handel
Artist(s):Liuwe Tamminga on the organs of San Petronio, Bologna - Diapason d'or feb 2011! Composer:Girolamo Frescobaldi
During the four years between 1750 and 1753, Carl Philipp Emanuel Bach composed three concertos for the violoncello with strings and basso continuo. The A minor concerto (Wq.170/H.432) and the B- flat major concerto (Wq.171/H.436), were written in Berlin in 1750 and 1751, respectively, while the A major concerto (Wq.172/H.439) is dated 1753 in Potsdam
With this recording, Federica Bianchi explores the development of music for keyboard instruments from the beginning of the 15th century to the dawn of the Baroque period. The earliest works originate from the famous Codex Faenza (c. 1400-1420), a manuscript of secular songs arranged for keyboard instrument by composers such as Jacopo da Bologna and Guillaume de Machaut. The earliest printed...
Without doubt, Benjamin Britten (1913-76) left an indelible impression on every genre of 20th century English music. However, it is his smaller scale vocal repertoire that is particularly fascinating. Featuring three of Britten’s “Canticles” as well as a selection of his best realizations (or “arrangements,” if you will) of songs by Henry Purcell (1659-95), this recording represents the mature...
Artist(s):Tasto Solo - Guillermo Perez, David Catalunya, Angélique Mauillon Composer: