NESHIMA is Orí Harmelin’s exciting debut solo lute and theorbo album. Orí explores a new realm of possibilities for personal creation as a modern musician using the musical language of the late 16th and early 17th centuries. The album contains Orí’s arrangements of Madrigals, Motets and Chansons by Cipriano de Rore, Josquin des Prez and Thomas Tallis, alongside his own compositions of variation...
As the name suggests, a claviorganum is a keyboard instrument with a harpsichord and an organ section, which can be played individually or together on one or two manuals. While this instrument may seem like a curiosity today, many sources confirm that "curiosities" were rather the norm on the European continent from the 15th to the 17th century. There was a variety of different keyboard...
With this CD, violinist Mayumi Hirasaki, who has been Concerto Köln’s concertmaster since 2011, explores the chameleon-like possibilities of her instrument: when playing with scordatura, instead of the usual fifths interval between the violin strings, an alternative is used in which at least one string is tuned to a different pitch. This results in completely new sonic and harmonic...
Il violoncello di Corelli leads us to the origins of the solo cello literature – although one should actually use the term violone. In fact, the cello, as we know it today in its standard form, had many different sizes before its current proportions became generally established. Some instruments were larger, and the smaller ones were referred to by the diminutive form of the term violone –...
In the present recording, the organists Liuwe Tamminga and Leo Van Doeselaar have selected eleven double-choir instrumental pieces (from Giovanni Gabrieli. This selection of eight-to-twelve-part pieces, performed on two of the most beautiful and suitable organs for this repertoire—the two magnificent organs of the San Petronio Basilica in Bologna (unfortunately no comparable organs have...
