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Erik Satie A. Filz - J.B.Triklir - J.C.Schetky - P.Ritter Alphonse d' Eve - Pietro Torri Angelo Maria Fiorè (1660-1723) Antoine & Jean-Baptiste Forqueray Antonio Soler Arcangelo Corelli Berenguer de Palol Binchois C. Debussy C.F. Abel C. P. E. Bach (1714-1788) Caldara Carbonelli Carissimi, Giacomo (1605-1674) Carlo Graziani Carlos Seixas Cazzati Cherubini - Reicha - Dauprat Couperin Debussy Debussy - Ravel - Mahler - Busoni ... Emanuele Barbella Felix Mendelssohn Francesco Feo Francisco Guerau François Francoeur Friedrich Abel, Carl (1723-1787) Fryderyc Chopin Fux, Johann Joseph (1660-1741) Gabrieli Geoffroy Giovanni Gabrieli (1554/57 - 1612) Giralomo Frescobaldi Girolamo Frescobaldi Giuseppe Verdi Graupner -Druzetschky - Sussmayer - Mozart Guami Hans Neusidler Heinichen, Johann David (1683-1729) Händel, Georg Friedrich (1685-1759) Ignazio Cirri J.B.J. Cabanilles J. C. Bach (1735-1782) J. S. Bach (1685-1750) Jean-Philippe Rameau Johannes Brahms Joseph Haydn Joseph Jongen Juan Manuel de la Puente (1692 - 1753) Krafft, François-Joseph (1721-1795) Ludwig van Beethoven Marin Marais Marini, Biagio (1594-1663) Monteverdi Mozart, W. A. (1756-1791) N. Fiorenza PUCCINI Palestrina Picchi, Giovanni (1571-1643) Piet Swerts Pullj - Durante- Mancini Purcell Robert Schumann Robert de Visée Scarlatti Schubert, Franz (1797-1828) Schütz Tartini Telemann, G. Ph. (1681-1767) Thomas Tallis Utendal, Alexander (c1530-1581) VIvaldi Vivaldi, Antonio (1678-1741) Zelenka, Jan Dismas (1679-1745) de Castro, Jean (c1540-c1600)
During the height of its popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and...
the Six Books of the Dolphin of Music for Vihuela (Valladolid, 1538) is the second collection published in the Iberian Peninsula dedicated in its entirety to music for vihuela, or vihuela and voice
Niccolò Jommelli was one of the most sought after composers of his time, but finally accepted to become musical director at the court of Stuttgart in 1753. Three years later he composed his Requiem to commemorates the recent death of the Duchess von Württemberg, mother of his patron, the Duke Carl Eugen.. Despite the fact that Jommelli owed his fame almost exclusively to his operas during his...