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Bach. Goldberg Variations

With this disc, Swiss harpsichordist Michel Kiener presents his interpretation of the Goldberg Variations, one of Bach’s absolute masterpieces. Kiener completed both his piano and harpsichord studies at the Geneva Conservatoire, where he won the prize of virtuosity in both disciplines. He perfected his art with Gustav Leonhardt in Amsterdam and was laureate of the Bruges International...


Johan Huys. Ceci n'est pas une passacaille

Flemish composer Johan Huys is equally proficient on all keyboard instruments, but he is best known as a harpsichordist. He was president of the competition at the MA Festival Bruges for 39 years. For this world-famous competition, which is inextricably linked to him, he composed several pieces for harpsichord, including the compulsory work for the 2018 harpsichord competition: Ceci n’est pas...


The Flemish Connection. Frederik Neyrinck vol. 2

With THE FLEMISH CONNECTION vol. 2, I SOLISTI release a second album with works by their composer-in-residence Frederik Neyrinck. He has mastered the art of writing brilliant and innovative compositions that make the most of the wind ensemble’s wealth of sound colours quite like no other. The setting of texts and stories is a recurring theme throughout this fascinating album. Featured are...


Stagioni d'Amore. Madrigali by Marini, Rovetta &...

From the budding blossoms of first love and the heat of passion, to when feelings subside and fade away, “the seasons of love” are the overarching theme of this programme of madrigali concertati by three notable members of the Venetian school: Biagio Marini, Giovanni Rovetta and Giovanni Valentini. The madrigals on this recording exemplify the new musical aesthetic of affetti and the seasons of...


Haydn. Deutsche Lieder

With this recital dedicated to German songs by Joseph Haydn, Alice Foccroulle and Pierre Gallon leave their familiar territory - that of Baroque music - and present a personal, thoroughly informed interpretation of these songs, free of the many layers of varnish that have built up over the centuries on these little treasures of vocal music. It is free of the many layers of varnish that have...


CPE Bach. Die Auferstehung und Himmelfahrt Jesu

Radical, daring and extremely refined: that’s how C. P. E. Bach saw his new path for the Oratorio, after his father’s Passions had marked the climax of the baroque era. Encouraged by his godfather Telemann and liberated from the yoke of the capricious Frederick of Prussia, he found himself in Hamburg with an audience hungry for new music. And he brought them his oratorios, no longer in churches...