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Tartini Alphonse d' Eve - Pietro Torri Angelo Maria Fiorè (1660-1723) Antoine & Jean-Baptiste Forqueray Antonio Soler Arcangelo Corelli Binchois C. P. E. Bach (1714-1788) Caldara Carbonelli Carissimi, Giacomo (1605-1674) Carlo Graziani Carlos Seixas Cazzati Couperin Francesco Feo Francisco Guerau François Francoeur Fux, Johann Joseph (1660-1741) Gabrieli Geoffroy Giovanni Gabrieli (1554/57 - 1612) Giralomo Frescobaldi Girolamo Frescobaldi Graupner -Druzetschky - Sussmayer - Mozart Guami Ignazio Cirri J.B.J. Cabanilles J. S. Bach (1685-1750) Jean-Philippe Rameau Joseph Haydn Juan Manuel de la Puente (1692 - 1753) Marin Marais Marini, Biagio (1594-1663) Monteverdi N. Fiorenza PUCCINI Palestrina Piet Swerts Pullj - Durante- Mancini Purcell Robert de Visée Scarlatti Schütz Telemann, G. Ph. (1681-1767) Thomas Tallis VIvaldi Vivaldi, Antonio (1678-1741) Zelenka, Jan Dismas (1679-1745) de Castro, Jean (c1540-c1600)
During the height of its popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and...
the Six Books of the Dolphin of Music for Vihuela (Valladolid, 1538) is the second collection published in the Iberian Peninsula dedicated in its entirety to music for vihuela, or vihuela and voice
Niccolò Jommelli was one of the most sought after composers of his time, but finally accepted to become musical director at the court of Stuttgart in 1753. Three years later he composed his Requiem to commemorates the recent death of the Duchess von Württemberg, mother of his patron, the Duke Carl Eugen.. Despite the fact that Jommelli owed his fame almost exclusively to his operas during his...