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- Categories: Mozart & Co
- Composer: A. Filz - J.B.Triklir - J.C.Schetky - P.Ritter
- Composer: Alphonse d' Eve - Pietro Torri
- Composer: Angelo Maria Fiorè (1660-1723)
- Composer: Antoine & Jean-Baptiste Forqueray
- Composer: Antonio Soler
- Composer: Arcangelo Corelli
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- Composer: C. Debussy
- Composer: C.F. Abel
- Composer: C. P. E. Bach (1714-1788)
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- Composer: Carissimi, Giacomo (1605-1674)
- Composer: Carlo Graziani
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- Composer: Cherubini - Reicha - Dauprat
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- Composer: Debussy
- Composer: Debussy - Ravel - Mahler - Busoni ...
- Composer: Emanuele Barbella
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- Composer: Frederik Neyrinck
- Composer: Fux, Johann Joseph (1660-1741)
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- Composer: Giovanni Gabrieli (1554/57 - 1612)
- Composer: Giralomo Frescobaldi
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- Composer: Graupner -Druzetschky - Sussmayer - Mozart
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- Composer: Ignazio Cirri
- Composer: J.B.J. Cabanilles
- Composer: J. C. Bach (1735-1782)
- Composer: J. S. Bach (1685-1750)
- Composer: Jean-Philippe Rameau
- Composer: Johan Huys
- Composer: Johannes Brahms
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- Composer: Juan Manuel de la Puente (1692 - 1753)
- Composer: Ludwig van Beethoven
- Composer: Marin Marais
- Composer: Marini, Biagio (1594-1663)
- Composer: Monteverdi
- Composer: Mozart, W. A. (1756-1791)
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- Composer: PUCCINI
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- Composer: Piet Swerts
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- Composer: Schubert, Franz (1797-1828)
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- Composer: Telemann, G. Ph. (1681-1767)
- Composer: Thomas Tallis
- Composer: VIvaldi
- Composer: Vivaldi, Antonio (1678-1741)
- Composer: Zelenka, Jan Dismas (1679-1745)
- Composer: de Castro, Jean (c1540-c1600)
Artist(s):Il Fondamento Paul Dombrecht Composer:Antonio Vivaldi
The prodigious flowering of musical culture in the Imperial Court of Vienna in the seventeenth and eighteenth centuries is undoubtedly a phenomenon unique in the history of the city: four successive emperors were themselves in their leisure time active musicians, and also enjoyed an excellent reputation as composers! This Cd shows us their musical world, with music both by the emperors and by...
Just like most German composers of his time, Telemann was very well acquainted with the stylistic developments in the other European countries, Italy and France in particular, and in his own compositions he assimilated the various national styles: the Lully Ouverture, the stylized French dances and the Italian trio sonata and concerto. Telemann’s contribution to these forms and genres was...
With THE FLEMISH CONNECTION vol. 2, I SOLISTI release a second album with works by their composer-in-residence Frederik Neyrinck. He has mastered the art of writing brilliant and innovative compositions that make the most of the wind ensemble’s wealth of sound colours quite like no other. The setting of texts and stories is a recurring theme throughout this fascinating album. Featured are...
Deep remorse and the longing for divine redemption are two of the central topics in the cantatas of Northern German Baroque composers. Griet De Geyter and Il Gardellino have selected three exemplary works in this genre by Dieterich Buxtehude, Georg Philipp Telemann and Johann Sebastian Bach, giving special emphasis to the clearly led voice and striking expressivity of the young Belgian soprano....
From the budding blossoms of first love and the heat of passion, to when feelings subside and fade away, “the seasons of love” are the overarching theme of this programme of madrigali concertati by three notable members of the Venetian school: Biagio Marini, Giovanni Rovetta and Giovanni Valentini. The madrigals on this recording exemplify the new musical aesthetic of affetti and the seasons of...
Artist(s):il Gardellino & Arthur Schoonderwoerd Composer:Ludwig van Beethoven
Artist(s):Orquesta Barroca de Sevilla - Enrico Onofri Composer:Juan Manuel de la Puente (1692 - 1753)
Artist(s):Sergei Istomin & Viviana Sofronitski Composer:Felix Mendelssohn
Flemish composer Johan Huys is equally proficient on all keyboard instruments, but he is best known as a harpsichordist. He was president of the competition at the MA Festival Bruges for 39 years. For this world-famous competition, which is inextricably linked to him, he composed several pieces for harpsichord, including the compulsory work for the 2018 harpsichord competition: Ceci n’est pas...
World Premiere recording of the Six Sonatas for harpsichord with violin accompaniment of Cirri. Ignazio Cirri was maestro di cappella from 1759 at the Cathedral of Santa Croce, now the Duomo in Forlì. In that same year he was granted entrance to the Philharmonic Academy in Bologna. It is not certain whether his teachers included Giovanni Battista Martini who was only five years older. It is...
With this recital dedicated to German songs by Joseph Haydn, Alice Foccroulle and Pierre Gallon leave their familiar territory - that of Baroque music - and present a personal, thoroughly informed interpretation of these songs, free of the many layers of varnish that have built up over the centuries on these little treasures of vocal music. It is free of the many layers of varnish that have...
Johann Sebastian Bach’s Sei Solo for unaccompanied violin figure amongst the baroque works on which the performance traditions of the 19th and 20th centuries weigh most heavily. Rediscovered halfway through the 19th century after having been forgotten for more than a century, these works quickly entered the repertoire of works performed by violinists during the Romantic period: from that moment...
Radical, daring and extremely refined: that’s how C. P. E. Bach saw his new path for the Oratorio, after his father’s Passions had marked the climax of the baroque era. Encouraged by his godfather Telemann and liberated from the yoke of the capricious Frederick of Prussia, he found himself in Hamburg with an audience hungry for new music. And he brought them his oratorios, no longer in churches...
The concertos for oboe and strings Wq 164 and 165 are transcriptions of harpsichord concertos which Bach made in Berlin in 1765: they were very probably performed at a private concert at the court of Frederick the great, which counted a number of excellent oboist among its musicians, like Joachim Wilhelm Dobbert and Johann Christina Jacobi: Bach adapted the harpsichord scores particularly well...
During the four years between 1750 and 1753, Carl Philipp Emanuel Bach composed three concertos for the violoncello with strings and basso continuo. The A minor concerto (Wq.170/H.432) and the B- flat major concerto (Wq.171/H.436), were written in Berlin in 1750 and 1751, respectively, while the A major concerto (Wq.172/H.439) is dated 1753 in Potsdam
With this disc, Swiss harpsichordist Michel Kiener presents his interpretation of the Goldberg Variations, one of Bach’s absolute masterpieces. Kiener completed both his piano and harpsichord studies at the Geneva Conservatoire, where he won the prize of virtuosity in both disciplines. He perfected his art with Gustav Leonhardt in Amsterdam and was laureate of the Bruges International...
Symphonies of Bach’s Sons by the Controcorrente Orchestra: a new dynamic Italian Baroque Orchestra makes its debut with not mainstream symphonies! As the name indicates, they choose to swim against the current and explore hidden gems of the repertoire. But not only are they original, young, and full of dynamic energy, but the result is also simply stunningly good and makes this music come alive...