NESHIMA is Orí Harmelin’s exciting debut solo lute and theorbo album. Orí explores a new realm of possibilities for personal creation as a modern musician using the musical language of the late 16th and early 17th centuries. The album contains Orí’s arrangements of Madrigals, Motets and Chansons by Cipriano de Rore, Josquin des Prez and Thomas Tallis, alongside his own compositions of variation...
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Christophe Coin Alessandro Denabian - Quartetto Delfico Alessandro Tampieri & Giorgio Dellarole Alice Foccroulle Anaïs Chen Andrássy Trio Apollo Ensemble Aurélien Delage Bart Roose Bruce Dickey Bruce Dickey Hana Blažíková Calamus Consort Cantilena Antiqua/ Stefano Albarello Capilla Flamenca - more Maiorum - Piffaro - Trigon Capilla Flamenca Oltremontano Cappella Estense - Maximliano Segura Sánchez - Cristina Grifone - Panos Iliopoulos Carlos Sandúa Controcorrente Orchestra Dominik Wörner - il Gardellino Duilio Galfetti & Luca Pianca Elinor Frey Enrico Onofri Ensemble Cantilena Antiqua - Stefano Albarello Ensemble Européen William Byrd - Graham O'Reilly Ensemble européen William Byrd; dir. by Graham O'Reilly Flanders Recorder Quartet Flyleaves Georg Nigl I Fedeli - Josué Mélendez Il Gardellino Inês d'Avena Jan De Winne Jovanka Marville LUCA GIARDINI and FILIPPO PANTIERI La Divina Armonia Lambert Colson & inAlto - Bernard Foccroulle Les Enemis Confus Linda Nicholson Liuwe Tamminga Lorenzo Ghielmi Lydia Maria Blank Marco Testori Marco Testori - Davide Pozzi Margret Koll and Luca Pianca Martha Cook Mensa Sonora - Gabriel Grosbard Michel Kiener Nicolau De Figueiredo OBS Oxalys - Toon Fret - Nathalie Lefèvre Oxalys ensemble Paul Dombrecht Peter Kooij Peter van Heyghen Riccardo Minasi Stefano Marcocchi and Simone Laghi Sungyun Cho Sunyun Cho TRIGON (Margot Kalse - Jos Somsen - Penny Turner) Tasto Solo - Guillermo Perez Tasto Solo - Guillermo Perez - diapason d'or! Tasto Solo Guillermo Perez/DIAPASON D'OR! Vittorio Ghielmi Xavier Diaz-Latorre Xavier Dìaz Latorre il Gardellino & Arthur Schoonderwoerd
During the height of its popularity, from the mid-16th century into the 18th, the cornetto was frequently depicted in art as an instrument of angels. Paintings, sculptures, and engravings abound in which the cornetto takes a prominent place among choirs of angelic musicians, usually paired with at least one voice and with other instruments such as the organ, viol, lute, harp, violin and...
the Six Books of the Dolphin of Music for Vihuela (Valladolid, 1538) is the second collection published in the Iberian Peninsula dedicated in its entirety to music for vihuela, or vihuela and voice
Niccolò Jommelli was one of the most sought after composers of his time, but finally accepted to become musical director at the court of Stuttgart in 1753. Three years later he composed his Requiem to commemorates the recent death of the Duchess von Württemberg, mother of his patron, the Duke Carl Eugen.. Despite the fact that Jommelli owed his fame almost exclusively to his operas during his...
During the four years between 1750 and 1753, Carl Philipp Emanuel Bach composed three concertos for the violoncello with strings and basso continuo. The A minor concerto (Wq.170/H.432) and the B- flat major concerto (Wq.171/H.436), were written in Berlin in 1750 and 1751, respectively, while the A major concerto (Wq.172/H.439) is dated 1753 in Potsdam